Diavola is an El Diablito demon of the Conquistadors and one of Ballisea’s champions. She controls minds, commands Roy’s service and preys on Supers, making apparent devotion inseparable from coercion. Her Dark General identity includes a Warlock build. The accounts differ on how she was released and first met Roy; no single chronology resolves them.
Character IDs by arc
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Reference cards retain their printed fields. Set labels identify supplied groupings, not verified fictional dates or the character’s current build.
Aurelio's Sun: Moonlight JubileeDiavola — ID reference
Conquistadors; Dark General
Reference card with its own printed form/context; not an automatic hero image or lifetime/current-form canon update.
Story journey
Follow the supported account, then open a moment for its story and sources. Publication, source and collection dates organize reading; they do not establish dates within the fiction.
13 sourced milestones
Devil's RunSource date: 2020-04-30
In Devil’s Run, Roy encounters a crowd fleeing a pink-skinned woman. She says she was imprisoned as someone’s mistake and now wants company. She introduces herself as Diavola, Unique Soul #02, El Diablito, rather than Satan. After he takes her hand, her voice enters his mind; when she tells him to run, he does.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified. Preserve as this reader’s first-meeting account. Do not append it as the next scene after Solar Spectator, where Roy already wakes and follows her.
In Solar Spectator, Roy has spent years trying to free the sleeping woman in a sealed glass case. A found node identifies her as Diavola and offers to wake her. Despite a horned spectator’s warning that she has been freed and imprisoned before, Roy selects Yes. The restraints disintegrate, Diavola wakes and speaks into his mind, and he offers his service as she proposes a run.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified. Preserve as its own release account. The spectator’s statements do not establish an ordering or reconciliation with Devil’s Run.
Honey tells Ziya that Diavola is the demon Diablito among the Conquistadors, described as the first Conquerors. Honey says they were sealed away, are free again and are planning an attack on Aury. She also attributes extraordinary mind-control abilities to Diavola. This is Honey’s account; her speculative age range is not converted into a birth date or a settled age.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Diavola arrives with Roy when the Conquistadors surround Flutter after Coronado has put beachgoers to sleep. She signals Roy to approach Flutter, while Majicka does the same with Chip. Melody arrives before the men reach her, permits Flutter to leave and warns the Conquistadors that Flutter could have killed them again. No fight or death is depicted in this scene.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Jenny’s Sun(preview) · Aurelio’s Sun ‘23 · Toku-high: Game On
Roy describes Diavola as his master and boss, rather than a spouse, and says he handles errands and bodyguard work for her. In other scenes he looks for Supers as her food, declines to collect Max because his powers are insufficient for her tastes, and recalls an earlier attempt to collect Super Supreme. Diavola does not appear in these reported-reference scenes.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
After Roy brings The Superior to her cavern, Diavola thanks Roy and confirms that he will join Ozone’s derby team. She sends the two men to play, calls The Superior down from the air and tells him to stand still. Her voice and touch overcome his resistance while she bites his neck. The scene does not explicitly complete his death.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Diavola arrives while Roy is collecting a civilian and becomes interested in the two Supers present, The Groundskeeper and Tornado Bob. She dismisses Roy, names herself and tells both men to call her Mistress. Their former opposition disappears under her influence, and they obey her order to bring her the civilian. The reader ends before a meal is shown.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Roy delivers Quantum Vanguard and BlitzBash to an obsidian cave as food for his Mistress. The unnamed but contextually identified Diavola chooses the conscious BlitzBash first and asks him to stand so she can eat him. His anger changes into obedient apology after her touch and gaze. The scene ends at his invitation to proceed; consumption and either man’s death are not shown.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified. The woman is unnamed in this reader. Identity is anchored by Roy’s explicit Diavola/Mistress relationship and the distinctive matching cave, feeding and coercion context, not by pink skin alone.
Ballisea puts Dean into a Warlock of the Whispering Void game form and introduces Diavola as his opponent with the same displayed title. Diavola’s skeletons advance while Dean summons six of his own. Ballisea says the skeletons invading the world also belong to Diavola, then withdraws Dean’s power after finding him boring. His ultimate fate is not depicted.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified. Preserve the displayed Whispering Void title as scene-specific; the card’s Luminous Void wording is not silently changed.
Ballisea introduces Diavola as one of her champions after Dustin accepts an opportunity to join the Court. Diavola dismisses him as too weak to be entertaining, so Ballisea gives him a temporary infusion of power. Diavola moves toward him as Ballisea explains that he must still pass the interview. No fight result, death or actual induction is shown.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Diavola complains that Coltrane ruined her staged hunt by bringing an ordinary gun instead of the specified weapons. His apparent wounds prove ineffectual, and she explains that she had hired him for a chase ending in his death. Losing interest in killing him personally, she summons Roy to do it; the reader stops as Roy grabs Coltrane’s neck, before a completed death.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Roy brings the volunteer hero Chiller to Diavola. Her voice undermines his determination to resist, and she orders him to chill his body for her enjoyment. She sends Roy for snowcone syrups while Chiller obeys and turns blue. The account conveys his loss of agency without depicting a completed meal.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Hearing Rupert play music obtained from the Dark Lord’s castle, Diavola appears in his home and introduces herself. She asks him to provide music while she eats, has him remove his shirt and kneels beside him. He feels pain as he starts playing; this time he does not register the song’s end when Diavola finishes her meal.
Source/collection dates are provenance only, not fictional chronology. Describe only the cited scene; threats, intentions, attributed claims and unshown outcomes remain qualified.
Content note: Fantasy assault, head impact, brief unconsciousness and suspected injury (depicted, non-graphic). Intimidation and humiliation; threatened consumption of people (discussed, not enacted). Disaster aftermath (mentioned).
Content note: Mass invasion, attacks, skeletal beings and combat (depicted/reported, non-graphic); fear of death. Coercive bargain, imposed magical transformation and loss of agency (depicted). Brief non-explicit revealing clothing imagery.
Content note: Implied predation and intended consumption of a person (closing dialogue, non-graphic); criminalization of fitness and illicit supplement trade (premise/discussion); unwanted touching and pushing (briefly depicted).
Content note: Boxing violence and painful head-impact effects depicted in recollection, non-graphic; death briefly joked about. Threat of people being eaten discussed, non-graphic.
Content note: Coercion and compromised consent (depicted). Human predation and strongly implied death (depicted/implied; non-graphic). Sexualized near-nudity, touching and coerced undressing (depicted, non-explicit). Memory/awareness gaps and dehumanizing language (depicted/dialogue).
Appearance / communication · Toku-high: Isekai Jubilee
Content note: Gun violence, blood and head-shot imagery (depicted, with explicit bullet penetration but limited gore). Deaths in background/past action (prompt and narrative); threats of murder and a neck grab (depicted/discussed). Coercive lethal “entertainment” and potential mind control (discussed/mentioned); no sexual act or actual mind-control episode depicted.
Content note: Coercive bargaining, threats and an impending violent trial (discussed/implied, non-graphic). Skeletal imagery (depicted); slavery and mind control (mentioned as refused conditions). Sexualized description and gaze (brief, non-explicit).
Content note: Graphic violence, gore and multiple deaths (depicted); blood splatter and bodily destruction. Death threats and serious injury (discussed); shock and acute distress (depicted).
